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, by George Saunders
Download Ebook , by George Saunders
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Product details
File Size: 4035 KB
Print Length: 271 pages
Publisher: Random House (January 8, 2013)
Publication Date: January 8, 2013
Sold by: Random House LLC
Language: English
ASIN: B008LMB4C2
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Even after all the acclaim Tenth of December has gotten, I was a little iffy about jumping into the collection for fear that I was going to get what I've come to think of as the worst stereotypes of New Yorker short stories - stories about rich white people that focus so much on malaise and angst that they forget to have a story or much beyond a setting and some character beats. Instead, what I got was a collection of sharp, funny, satirical stories that brought in science-fiction elements, social commentary, rich characterization, and absolutely wonderful prose - and, if all that's not enough, even managed to be genuinely, richly funny and nicely moving. Saunders takes on all kinds of issues in these stories, and while a lot of them are about class issues, he also takes a look at the American obsession with medication, the absurdity of business speak, helicopter parents, and much more. But he does all of these while always telling engaging, satisfying stories first and foremost, and giving them all not only lots of thematic depth, but also satisfying plot beats as well. There's "Victory Lap," which finds a pair of over-parented children dealing with an intrusion of the real world into their overly-regulated lives. There's the spectacular "Exhortation," where a business manager tries to find the most positive spin for a job that only gradually reveals itself as something less than desirable. "The Semplica Girl Diaries" gives us a window into a middle class life that's constantly striving to do whatever it takes to match up with everyone else, while "My Chivalric Fiasco" finds a Renaissance Fair knight embracing his role at exactly the wrong time. And that doesn't even touch on the painful, darkly comic but ultimately horrifying "Escape from Spiderhead," where you get a window into the next generation of medications that will shape our moods, or the heartfelt title story, as a terminally ill man's attempt to end his life is thwarted in an unexpected way. There's not a bad story to be found in Tenth of December, but more than that, there's not a story that falls into some cliche about what bad short stories have become these days. They're sharply satirical, engagingly funny, richly plotted, and as if that's not enough, the writing is wonderfully and constantly surprising, finding new voices constantly and evolving to fit whatever the story needs it to be. In short, Tenth of December deserves all of its acclaim and then some, and it makes me not only a convert but an enthusiastic one who's going to be reading more Saunders as soon as I possibly can.
George Saunders is like no other author I've read, and I read a lot. His style is odd, but it's not because he's odd but because he peers inside of his characters' minds and finds the weird truth of what it's like to the other, those people who are battling through every scene of life with limited skills but a fierce commitment to getting to the end of the story. You'll see. The best stories in the collection are the title piece, a chilling tale of selflessness and courage in the face of crippling limitations, and the first two, Victory Lap and Escape from Spiderhead. Riveting, soul crushing and finally surpassing, each in its own very different way. Absolutely incredible stuff. Read it now.
The first thing I thought after reading “Victory Lap,†the first short story in George Saunders’ ten-story collection, was “This is a story that will stick with me for a while.†Saunders chases the threads of thought of three characters as a traumatic moment unfolds. In so doing, he raises some poignant questions: Are we really that different from the “bad†guys? And if we are, how thin exactly is the line that separates us?The poet Galway Kinnell once said, “Often a poem at least starts out being about oneself, about one’s experiences, a fragment of autobiography. But then, if it’s really a poem, it goes deeper than personality. It takes on that strange voice, intensely personal yet common to everyone, in which all rituals are spoken. A poem expresses one’s most private feelings; and these turn out to be the feelings of everyone else as well.†It’s this degree of empathy that makes the successful stories in Saunders’ collection really pop, whether it be from the perspective of criminals (“Escape from Spiderheadâ€) or in addressing a topic like slavery (“The Semplica Girl Diariesâ€).Nearly every one of these ten stories experiments with form. It’s here that the collection’s weakness lies. Some stories, like “My Chivalric Fiascoâ€, while well-written, seem more interested in experimenting with form than in the message it tries to convey. Or at least the form draws too much attention to itself. The same could be argued for the diaristic shorthand of “The Semplica Girl Diaries.â€Needless to say, it’s unusual to find a voice willing to struggle (and with such authority) to find the good in a humanity clothed in darkness — and in a tone of voice that’s as fun as writers like Voltaire or Kurt Vonnegut. Saunders seems deeply attached to his characters, pitying them, like Leo Tolstoy — not because he’s better than them, but because the faults that cause their suffering are the same as his.
This wonderful book uses extreme scenarios, unusual people and circumstances to get to the heart of what it means to be human. As in his Lincoln in the Bardo, there are moments that are very moving, the humanity of the characters coalescing in a single remarkable sentence or paragraph. The stories are humorous, sometimes almost science-fictional, but the poignancy of the characters is even more finely drawn because of the juxtaposition. I highly recommend this collection. Saunders is a master of the short story.
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